Page 11 - IB July 2021
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Covid and Creatives                                                           Covid and Creatives


        Twitter introduced Space, an online talanoa room. Marrying
        this technology with the concept of solesolevaki (an iTaukei
        approach of achieving goals collectively), Tokailagi, Epeli
        Tuibeqa and Dan Matanimeke host artists who perform from
        the comfort of their homes while listeners are encouraged to
        “fakawela” or tip the singer or group.
         Their Twitter space was christened Spacejam. The trio are
        supported by University of the South Pacific (USP) student
        Josefa Teleni who designs posters promoting the artists, fea-
        turing money transfer details. Within three months of starting
        by July 2021, Spacejam surpassed the FJ$40K mark (US$19K).
        With an average of two groups per week, Spacejam is booked
        until December.
         None of the organisers benefit financially from Spacejam.
         “It is not about the money so much now. Spacejam has
        become a family, an online community,” Tokailagi told a panel
        on Leveraging Technology for All at the regional virtual Pacific
        Resilience Meeting earlier this month. “It gives people a sense
        of community, of belonging, especially for the diaspora.”

         New pathways
         For visual artists, things are not so simple. Artists are being
        pushed to innovate and must be willing to experiment at one’s
        cost.
         Sonny Misiolo Sofe and Sherina Usenia Bulabalavu are based
        in Nadi and their tattoo and art business Yanuyanu Tatau was
        doing so well pre-COVID, they could not provide for walk-
        ins. The sustained border closure has however, crippled their
        business. Sonny has returned to the canvas and carving,  but   Tattoo artist Sonny Misiolo Sofe at work
        he says “the reality of this thing is not being able to deal with
        the rent, with putting food on the table - an issue that which
        I’m pretty sure every other artist on the island is having dif-
        ficulties to meet at the moment”.
         Bulabalavu said they have joined other visual artists to   right now.
        revive the Viti Association of Visual Artists (VAVA). This will be   “VOU is definitely going onto the digital platform,” Miller
        the platform they use to advance their interests collectively   said. “Artists are so flexible, like water – we just adapt to
        but for now: “We are sceptical about the borders reopen-  whatever the situation is. We are used to difficult circum-
        ing, it’s so risky. Every day I spend the day thinking, how and   stances. Everyone’s pausing, re-thinking, re-evaluating
        where will the next one (meal) come from. Sonny can paint   everything,” Miller said. She is also hosting five interns paid
        but then it becomes about how many people are left out   for by the Urban Pathways: Fiji. Youth. Culture initiative. The
        there who can buy art”.                             interns are a godsend she says, preparing VOU to transition
         Josateki Nailati started writing songs when he was 13, and   to digital platforms, which takes more planning when you are
        already has a single on iTunes. While his parents support   shifting a live show into the digital world.
        his musical aspirations, they insist he complete a tertiary   VOU has dabbled and has a few episodes of their Island
        qualification, so he is currently writing his thesis (USP, Biol-  Adventurers Show on youtube.com. “I hope it makes kids curi-
        ogy). Nailati’s session on  Spacejam in June raised $1600.00.   ous, encourage kids to have fun and go exploring. Next year
        “The money went into my tuition fees and upcoming music   I’m going to focus on the digital stuff. So many of us had our
        project,” he said. “Music in Fiji is definitely shifting towards   eggs in the tourism basket and obviously that went sideways.”
        a more digital-based platform although we don’t have all the   The industry and experiences for audiences has changed
        necessary organisations to call it a successful music industry   significantly but one thing has stood out through this, the
        yet, I believe we’ll get there soon.                sheer determination and passion of artists to perform, and the
         Sachiko Soro of VOU, an established contemporary dance   need for audiences across Fiji to be given the opportunity to
        group says VOU dancers are getting by with a salary for two   watch, listen, engage and to create art. When the country has
        days a week, which Soro complements with vegetables and   become the global leader in per capita cases of COVID-19, we
        eggs from backyard gardening. Soro is doing some work with   need art more than ever.
        the United Nations, teaching business development planning
        to 25 students representing 13 dance companies: a lifeline   editor@islandsbusiness.com

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